In this podcast guitarist and OutsideGuitar.com founder Aram Bajakian (and guitarist for Lou Reed, Diana Krall, John Zorn) talks to Marc Ribot.
During the course of his career, Ribot has worked as a sideman with an impressive lineup of artists, most notably as the sound smith behind many of Tom Waits' classic recordings. In addition to the dozens of albums he's played on on John Zorn's Tzadik label, he's also worked with Elvis Costello, Robert Plant and Alison Krauss, Marianne Faithful, Mike Patton, The Lounge Lizards and Diana Krall.
His own groups are equally as diverse, from a project that plays the compositions of Cuban composer Arsenio Rodriquez (Marc Ribot y los Cubanos Postizos) to his noise-rock group Ceramic Dog with drummer Ches Smith and bassist Shahzad Ismaily. Ribot's solo records, Saints and Silent Movies, are easily some of the most beautiful out there.
In this episode Aram asks Marc questions from outsideguitar.com subscribers, which lead to discussions of how to break away from blues cliches when improvising, to Ornette Coleman, to how to keep your cool when performing in front of large (or small) audiences, as well as many other subjects.
Half the episode is here. Get the other half by subscribing at www.outsideguitar.com.
The guitar tones of Paul Rigby can be heard all over Neko Case's haunting albums. What makes them so great is that they sound weird, and yet still manage to work with the song. In this interview, guitarist and OutsideGuitar.com founder Aram Bajakian (and guitarist for Lou Reed, Diana Krall, John Zorn) asks Paul questions gleaned from OutsideGuitar.com members. The results are just like Paul's playing: totally unique and compelling.